https://www.gardenship.ca/blog daily 0.75 2023-08-30 https://www.gardenship.ca/blog/doors-open-londons-heritage-through-cuisine monthly 0.5 2023-08-30 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/896a14fd-7fc6-4823-be18-24a9756fb98b/Screenshot+2023-08-30+at+11.22.52+AM.png GardenShip Blog - Doors Open: London’s Heritage Through Cuisine - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gardenship.ca/blog/4on60lt39idpgk73mnhwiy6jbrfpmq monthly 0.5 2023-08-30 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/7497c874-c04e-4cbc-bcf6-77aaa80d0ac8/Screenshot+2023-08-30+at+11.02.42+AM.png GardenShip Blog - Embassy Commons Public Art - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gardenship.ca/blog/cma-journal-issue-11-heterotopias monthly 0.5 2023-08-30 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/c0787411-34be-4a58-9d27-57f16d0caca4/Screenshot+2023-08-30+at+10.38.48+AM.png GardenShip Blog - CMA Journal Issue Eleven: Heterotopias (Worlds Within Worlds) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gardenship.ca/blog/indigenous-rights-are-a-counterforce-to-the-climate-crisis monthly 0.5 2021-08-01 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1627843711948-AV9V4YT3PNNY485ZAWA0/climate_action_v2.jpg GardenShip Blog - Indigenous rights are a counterforce to the climate crisis - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gardenship.ca/blog/lori-blondeau-in-discussion-with-franchesca-hebert-spence monthly 0.5 2021-07-12 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1626103144972-PV4T16Q45HW8K89V601Z/17.jpg GardenShip Blog - Lori Blondeau in discussion with Franchesca Hebert-Spence - Make it stand out Lori Blondeau, Stones from my Kokum's House, Mixed Media, Installation image from I'm Not Your Kinda Princess at Plug In Institute of Contemporary Art, 2021. Photo credit: Karen Asher. https://www.gardenship.ca/blog/postcolonial-ecologies-exhibition-project monthly 0.5 2021-07-12 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1625591972154-4XD59S32VJNP1X7GDDEX/Screen+Shot+2021-07-06+at+1.19.11+PM.png GardenShip Blog - Postcolonial Ecologies Exhibition Project - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.gardenship.ca/blog/new-partnership-with-embassy-cultural-house monthly 0.5 2021-07-12 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1613164133272-WKDCSF7KSP5P75Q37H31/ECH+white+on+black_LI.jpg GardenShip Blog - New Partnership With Embassy Cultural House https://www.gardenship.ca/blog/jeff-thomas-amp-jamelie-hassan-works-auctioned-in-support-of-gallery-tpw monthly 0.5 2020-11-13 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1604927060091-NIJ23G64F3MUI5IV34PC/Screen+Shot+2020-11-09+at+8.02.45+AM.png GardenShip Blog - Jeff Thomas &amp; Jamelie Hassan works auctioned in support of Gallery TPW Images (clockwise from top right): Kara Springer, Untitled, Lake Ontario, Shellie Zhang, $56.82, Means of Exchange Series, Jeff Thomas, Peace Chief, Tower, Toronto, Ontario, Scott Benesiinaabandan, newlandia: fragment, Will Kwan, Study #7 for The Infinites (De Quincey’s Confessions). https://www.gardenship.ca/blog/ron-benner-to-participate-in-green-in-the-city-x-a-hrefhttpscitysymposiumcom-targetblankcity-symposiuma monthly 0.5 2020-11-08 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1604585047713-0HVB54ZVAJQFX5AHDZHI/Green-in-the-City_Events_EB_Nov16-1024x512.jpg GardenShip Blog - Ron Benner to Participate in Green in the City x <a href="https://citysymposium.com/" target="_blank">City Symposium</a> https://www.gardenship.ca/blog/messagers-forum-patrick-mahon-at-thames-art-gallery monthly 0.5 2020-09-25 https://www.gardenship.ca/blog/tobeirut-an-artist-auction-for-lebanon monthly 0.5 2020-09-09 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1599679257641-CA2A1AT2GVFOEE2S98N7/Jamelie.jpg GardenShip Blog - To:Beirut, An Artist Auction for Lebanon Jamelie Hassan Trying to stay busy while social distancing, 2020 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1599679404413-4BRQQIKK4RJZZF8PW5QT/Ron.jpg GardenShip Blog - To:Beirut, An Artist Auction for Lebanon Ron Benner Cuitlacoche: Your disease our delicacy, 2012-15 https://www.gardenship.ca/blog/8k5p4rm13riam4b1nu4bido1tsvqhg monthly 0.5 2020-08-29 https://www.gardenship.ca/blog/public-water-histories-of-nycs-drinking-watershed monthly 0.5 2021-11-04 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538428377-KYKBZDS9W3RCPQ81PVQZ/1PublicWater-IG-post-ManhattanProng-Artboard+1b.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538422368-8CZDRMWDUE73NUPP1TPE/1PublicWater-IG-post-ManhattanProng-Artboard+2.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538424164-H5NS0ZLKX8VJT3XMF3MG/1PublicWater-IG-post-ManhattanProng-Artboard+3.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538426987-TE71K2RPBP9FYF3ICM9P/1PublicWater-IG-post-ManhattanProng-Artboard+4.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538427615-ZG8V7PZOD1E6C9P0Y9JR/1PublicWater-IG-post-ManhattanProng-Artboard+5.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538428565-QQUIRMEPA08Z76LBJJFP/1PublicWater-IG-post-ManhattanProng-Artboard+6.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538429705-2GRI0UEHB2S1SLZ1DCVW/1PublicWater-IG-post-ManhattanProng-Artboard+7.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538429258-2N6WK7HP5VFZFI8WZBTZ/1PublicWater-IG-post-ManhattanProng-Artboard+8.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538430268-RP4PSVTUESMFOBJZG8Z9/2PublicWater-IG-post-jul10-Artboard+2.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538430150-BT2VRD0PR6HA7H2NDUJH/2PublicWater-IG-post-jul10-Artboard+3.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538432987-BDWQVAC4UIY5SKWSWDYJ/2PublicWater-IG-post-jul10-Artboard+4.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538432543-UXTH2M0DZYY6PAU8C6U3/2PublicWater-IG-post-jul10-Artboard+5.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538433098-1NGVGZX6B1RSKRPLJL39/2PublicWater-IG-post-jul10-Artboard+6.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538433365-ER6YD4IY6NORAJ0W89B7/2PublicWater-IG-post-jul10-Artboard+7.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538433510-U5LTQBABUK7A271DAFH2/2PublicWater-IG-post-jul10-Artboard+8.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538438034-H09DDQHKR4MJ65MF34RX/2PublicWater-IG-post-Substrate-Gif1.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538439983-KFKGC1DZI2JVHZ9QHHHO/3public_water_colonizarion_post_edit-01.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538438754-R2R1Z55Z6ID8PQXHRC3G/3public_water_colonizarion_post_edit-02.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538439752-F5A5PBQ91F7O0L1QUIJH/3public_water_colonizarion_post_edit-03.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538440389-HYX5W7I7IPEBNLPZUEWC/3public_water_colonizarion_post_edit-04.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538440753-LFU5V8QCYV1V2SW9RZV8/3public_water_colonizarion_post_edit-05.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538442331-JP84FYRL8VL1JE2XTT5Q/3public_water_colonizarion_post_edit-06.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538441244-2D9LSTU0WWZBI66KY30L/3public_water_colonizarion_post_edit-07.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538447029-SJEKO3MHO5QITWF66NWV/PublicWater-IG-post-jul24-Artboard+1.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538443079-A6BRI2OI9PTRI2BAKR06/PublicWater-IG-post-jul24-Artboard+2.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538444729-WMWZ2WM102H5061BLXB3/PublicWater-IG-post-jul24-Artboard+3.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538447195-0KA8ORAAEP5A9FINNGQH/PublicWater-IG-post-jul24-Artboard+4.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538453761-VDIRW6GDWT9FHETHD865/PublicWater-IG-post-jul24-Artboard+5.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538448878-5FR219A8W9E2IMRZUBPZ/PublicWater-IG-post-jul24-Artboard+6.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538453329-XR9KTRL9NMO7HLBJ3XUF/PublicWater-IG-post-jul24-Artboard+7.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538454390-XDBSTG8V8WAQHBMQ0G30/PublicWater-IG-post-jul24-Artboard+8.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538454586-DT1HIL7X6CSUVOZCDZRB/PublicWater-IG-post-jul24-Artboard+9.png GardenShip Blog - Public Water: histories of a drinking watershed https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597538455351-OPN3WQ6HM6EDGBX1DQTD/PublicWater-IG-post-jul24-Artboard+10.png GardenShip Blog - Public Water: histories of a drinking watershed https://www.gardenship.ca/blog/direct-action-community-river-cleanups monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596733715290-L4ALVVE1D9HCA9SMU7D5/typewriter.JPG GardenShip Blog - Direct Action: Community River Cleanups https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596733900715-63T7ZITXADE6UI9EKFXJ/shopping+cart+and+goose+tracks.jpg GardenShip Blog - Direct Action: Community River Cleanups https://www.gardenship.ca/blog/ron-benners-installation-at-museum-london monthly 0.5 2020-08-04 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596465728227-1Q4XWRUB7V8EHIZJG6OB/IMG_3682.JPG GardenShip Blog - Ron Benner’s Installation at Museum London https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596465773617-IHIHYY08QPXW44P8SQC1/IMG_3681.JPG GardenShip Blog - Ron Benner’s Installation at Museum London https://www.gardenship.ca/blog/tag/ecotopian+library monthly 0.5 https://www.gardenship.ca/blog/tag/public+water monthly 0.5 https://www.gardenship.ca/blog/tag/publicwater monthly 0.5 https://www.gardenship.ca/blog/tag/water+is+a+human+right monthly 0.5 https://www.gardenship.ca/blog/tag/nyc+watershed monthly 0.5 https://www.gardenship.ca/enter daily 1.0 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593281103614-DAG5ZVFG3IFC6HJKJVOW/GardenshipLogobutton.png Garden Ship https://www.gardenship.ca/garden-ship daily 0.75 2024-11-27 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593458839705-Y9NHAALCQO4RVEG32EQI/DSC01402.jpg GardenShip - Resources An interactive list of articles and media. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592835307162-F0LG6SBSC3P2G2YP8PVA/GardenShip+Workshop+2+FB.jpg GardenShip - About Project Description https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593458082049-DW5J0QQD4C1T5AYRP2JY/contributors+copy2.jpg GardenShip - Contributors Artists and Scholars https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592837187889-4ZWAWO93AM6ZEQC5QLID/WOrkshop+poster.jpg GardenShip - Projects Gatherings and Workshops https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/dee5628e-6c7b-46f0-b2f5-f3a3fec5bd5d/Screenshot+2023-08-30+at+11.46.11+AM.jpg GardenShip - Publication About the publication and where to purchase. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/b997c677-49e4-4f47-962d-044d41528594/0.+GardenShip+Main+Floor+1.jpg GardenShip - Exhibitions About the Exhibitions at Museum London and Thames Art Gallery, Chatham, ON. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592837576671-JKC4EHUUPIGH4HS6ABKU/IMG_0006+copy.jpg GardenShip - Blog A place for writings, process images, and reflections by project contributors https://www.gardenship.ca/about daily 0.75 2021-11-11 https://www.gardenship.ca/contributors daily 0.75 2024-11-28 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592837794351-XMPGMV9D9WPIGHDGSW4W/IMG_2635.jpg Contributors List Sean Caulfield https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592837736913-OUW215Y69WUVX3GJUDV9/01+Ron+%26+His+Garden+-+Museum+London.jpg Contributors List Ron Benner https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593093889548-BDHO8HSOHKSJ8NAHWPKR/LB4.jpg Contributors List Lori Blondeau https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/2b10f5f5-ebc2-4f3e-8adf-cd1a0e4e38d5/1.Portrait_Chakraborty.JPG Contributors List Anindita Chakraborty https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592837769661-G7Y0PYM799Q7B461MGX9/Website+Portrait.jpg Contributors List Paul Chartrand https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592837811938-RHUOSZG403Z76UY3MA8E/Tom+GardenShip.jpg Contributors List Tom Cull https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838372244-R4YUD3AOAKM0GA1YVCLH/JG+unknown+IMG_6897+%282%29+%281%29.jpg Contributors List Joan Greer https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092333239-PUMLINDPGETBVQGA62IJ/thumbnail_Canoe+Fight+Still_Oxtongue+River_Pose+scene+3+reduced.jpg Contributors List Michael Farnan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838206082-TZRP48SC3BPRA90E9M0D/DSC_0108+Crop+Vertical+Small+%28002%29+%281%29.jpg Contributors List Amelia Fay https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593456673235-NLOOF18YYN7IFHG291O4/crop.jpg Contributors List Jessica Karuhanga https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1599522595631-T90ZJWZFS6B13C8XGSI0/cropped+Jamelie.jpg Contributors List Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838461940-6P5TABZ00WFNEP9LY1UT/S+Kar.jpg Contributors List Sharmistha Kar https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838714048-HKYX7NFLE9V9K9MR4HNJ/mattingly-owns-still-000-500x281.jpg Contributors List Mary Mattingly https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838638352-ROYAAMFOA77Z1MWIO2TZ/Mark.jpg Contributors List Mark Kasumovic https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1598308962176-LHFH8EUGTJSMQQ2XGMUG/Mahon+Studio+Cropped.jpg Contributors List Patrick Mahon https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593280117668-6EG4BBYXR0JHH3Z45JS7/Quinn+2.jpg Contributors List Quinn Smallboy https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838827926-UXXWYCC7UG6RBQ0N64LW/Headshot.jpg Contributors List Ashley Snook https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/7b301140-346a-4570-aded-d1a25cd5892b/2.Olivia_Photo.jpeg Contributors List Olivia Mossuto https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593093229134-9G2F40I32Z9WL3KB4HC4/PastedGraphic-1+%281%29+copy.jpg Contributors List Adrian Stimson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838868331-F1Z3Q9NYRHABDBRU28UZ/Jeff+Thomas+selfie%2C+2020.jpg Contributors List Jeff Thomas https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838893896-5UMVN7FVGYSYD41WBCY4/Villar.jpg Contributors List Andres Villar https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1592838959385-UNTHIUUBEILJA92PT58Z/Unknown.jpeg Contributors List Michelle Wilson https://www.gardenship.ca/projects daily 0.75 2024-11-28 https://www.gardenship.ca/resources daily 0.75 2021-11-11 https://www.gardenship.ca/amelia-fay daily 0.75 2021-11-08 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1590690145285-J9OYF0O0IJOVN7MS2T9T/DSC_0108+Crop+Vertical+Small+%28002%29.jpg Amelia Fay - Amelia Fay Amelia Fay is an anthropological archaeologist specializing in the contact-period between Indigenous communities and various European newcomers in what is now Canada from a long-term, historical perspective. She received a BA in Anthropology from the University of Manitoba (2004), and an MA (2008) and Doctorate (2016) in archaeology from Memorial University of Newfoundland. She joined the Manitoba Museum in 2013 as Curator of the Hudson’s Bay Company Museum Collection and is actively building the collection to broaden the story of the HBC by exploring the relationships between European employees and First Nations, Inuit, and Métis fur traders as they negotiated space, material culture, and their daily activities. https://manitobamuseum.ca/main/collections-research/meet-our-curators/amelia-fay/ https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/5135c4bf-2a4b-4b83-ba3b-678f2bc90e1f/5.Amelia+F..jpg Amelia Fay Curating Colonialism, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/471bebc3-06bf-4de5-8707-d536731c5198/amelia+f+2.jpg Amelia Fay Curating Colonialism, 2021 https://www.gardenship.ca/adrian-stimson daily 0.75 2021-11-24 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593093543431-QIQ27HBHMP2PAY2BQRFC/Stimson4.jpg Adrian Stimson - Adrian Stimson Adrian Stimson is a member of the Siksika Nation; his work includes paintings, installations, sculpture and performance. Adrian is known for his performance personas, Buffalo Boy and Shaman Exterminator. Adrian exhibits nationally, internationally and was awarded the Blackfoot Visual Arts Award, Queen Elizabeth II Golden Jubilee Medal and the Alberta Centennial Medal, ad the Governor General’s Award for Visual Arts. His work is in the collections of the British Museum, Canada Council Art Bank and the McKenzie Art Gallery. www.adrianstimson.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/f820423a-e611-410e-a2ec-d4d9e7ae2d71/3.Adrian+S.+1.jpg Adrian Stimson Naamo Ooko’o’wa Omahkokata A’paissapii… - Bee Tower and Gopher Looking (and other works), 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/5464e4f5-36df-4c82-b0f6-4fbbbfddaed0/4.Adrian+S.+%28alt.%29.jpg Adrian Stimson Naamo Ooko’o’wa Omahkokata A’paissapii… - Bee Tower and Gopher Looking (and other works), 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593093588922-KNKU1K6P0STWU0JAY3MG/Stimson3.jpg Adrian Stimson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593093588750-BDAMYNYTFTL8P95JTP4N/Stimson2.jpg Adrian Stimson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593093588101-FCCC558AKM3VVQ68ECFF/Stimson1.jpg Adrian Stimson https://www.gardenship.ca/andres-villar daily 0.75 2021-11-08 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1590691971779-UPVT6SVYNVFGU196I83Q/Villar.jpg Andrés Villar - Andrés Villar Andrés Villar is an artist, writer, and lecturer. He is co-editor of Afro-Latinx Digital Connections, University Press of Florida (forthcoming). https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/3b2cdd0c-590e-4ab1-9641-63aae9b86efa/IMG_3335.jpg Andrés Villar Birdsong, 2021 https://www.gardenship.ca/ashley-snook daily 0.75 2020-06-27 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591729225303-NAUMMV84DDLNS6I6C53A/Headshot.jpg Ashley Snook - Ashley Snook Ashley Snook is a Toronto-based interdisciplinary artist and is currently a PhD student in the Art and Visual Culture program at Western University in London, Ontario. In her practice, Ashley examines interconnectivity between human and nonhuman animals, and vegetal/botanical life. Currently, her research and studio work involve speculations regarding the concept of animality as she investigates fundamental linkages between species, aiming to fuse conceptual separations through sculpture, drawing, and experiential/sensorial installation. www.ashleysnook.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/c5918996-8ca0-4225-9bcc-57d8c61a6c17/7.Ashley+S.jpg Ashley Snook the honey is sweet, 2020-2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591729300822-3811N1FMKOLRFA7EITY8/VHD+VHD.jpg Ashley Snook VHD VHD Glass, hair, sand, organic material, essential oils: lavender, lemon, cypress, mint, patchouli, recorded sound, 2019 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591729314512-6G84YUHKEQJCTNMEZ1D7/Stay+With+Me.jpg Ashley Snook Stay With Me Grass, canvas, string, found materials, Murmur land Studios Residency - The City in Reverse: Diagramming Intelligent Systems, Sherbrooke, Nova Scotia (July 2-8, 2017) https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591729314716-ATW6WVPLAHWMLIC38DGY/Fernigen+C+Thicket.jpeg Ashley Snook Fernigen C. Thicket Artificial grass, plaster fingers, crystals, essential oils: cedar wood; pine; balsam fir; eucalyptus; vetiver, recorded sound, 2018 https://www.gardenship.ca/ron-benner daily 0.75 2020-08-24 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1598293129274-TKO7HY7L6BAUVRU4YDUA/01+Ron+%26+His+Garden+-+Museum+London.jpg Ron Benner Photo Credit: Sue Bradnam, London Free Press https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/e837121f-060a-4d1b-8144-37db58d1be79/27.Ron+B.+%28alt.%29.jpg Ron Benner As The Crow Flies, 1984-1991 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/f1748390-5fe9-4f8a-8fcc-b89ab90fa510/26.Ron+B.+1.jpg Ron Benner As The Crow Flies, 1984-1991 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640439250-7M5YEWOZSVG9Y6BQRFEH/05+Transend_Meeting_Room_SLee_HR-04+copy.jpg Ron Benner Trans/mission: Meeting Room, 2012-2014. Mixed media photographic installation. Robert Langen Art Gallery, Laurier University, Waterloo, Ontario, 2017. Photo credit: Scott Lee. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640469996-5X6JZR3BDXGVSTR4VKKX/06+Transend_Meeting_Room_SLee_HR-31.jpg Ron Benner Trans/mission: Meeting Room (detail), 2012-2014. Mixed media photographic installation. Robert Langen Art Gallery, Laurier University, Waterloo, Ontario, 2017. Photo credit: Scott Lee. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640387794-1FB3MC5I4DZ7YISXCGU2/03+Ron+Benner004.jpg Ron Benner As The Crow Flies (detail), 1984-1991, Mixed media photographic installation. Mois de La Photo, Montreal, Quebec, 1991. Photo credit: Marcel Blouin. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640417154-ZFZ4YKH37KTNIKQGNPJ7/04+As+The+Crow+Flies.jpg Ron Benner As The Crow Flies, 2005-present, Photographic/garden installation. Museum London, 2014. Photo credit: Roland Schubert. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640376011-8KUXMEPP4T93PGNCZ7I9/02+Ron+Benner005.jpg Ron Benner As The Crow Flies, 1984-1991, Mixed media photographic installation. Mois de La Photo, Montreal, Quebec, 1991. Photo credit: Marcel Blouin. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640475303-POUDKR5700EC1YAUIHOB/07+Transend_Meeting_Room_SLee_HR-11.jpg Ron Benner Trans/mission: Meeting Room (detail), 2012-2014. Mixed media photographic installation. Robert Langen Art Gallery, Laurier University, Waterloo, Ontario, 2017. Photo credit: Scott Lee. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640483138-KEH18FBPVSLUEIJRGO7O/08_HA_4693.jpg Ron Benner Trans/mission: Barley-Corn-Maize, 2019. Mixed media photographic installation. Visual Arts Centre of Clarington, Bomanville, Ontario. Photo credit: Toni Hafkenscheid. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640527048-3EYNGI0YUR29266RWA0J/10_HA_4811.jpg Ron Benner Trans/mission: Barley-Corn-Maize, 2019. Mixed media photographic installation. Visual Arts Centre of Clarington, Bomanville, Ontario. Photo credit: Toni Hafkenscheid. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640521953-S2A4E4446Q1A2UZD6948/09_HA_4742.jpg Ron Benner Trans/mission: Barley-Corn-Maize, 2019. Mixed media photographic installation. Visual Arts Centre of Clarington, Bomanville, Ontario. Photo credit: Toni Hafkenscheid. https://www.gardenship.ca/lori-blondeau daily 0.75 2021-11-08 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593094080474-5DC03JI62WOA3A7O0CLY/LB4.jpg Lori Blondeau - Lori Blondeau Lori Blondeau is a Cree/Saulteaux/Metis artist working primarily in performance art, as well as in installation and photography. Her provocative work has been exhibited internationally, and written about extensively. Blondeau is a member of the Gordon First Nation, and is based in Saskatoon, Saskatchewan, and also Winnipeg, where she is a recent full-time hire in Fine Arts at the School of Art, University of Manitoba. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/54dceab7-2ccf-462e-a575-f80850ea4247/16.L.+Blondeau.jpg Lori Blondeau Iskwew on Lake Winnipeg, 2018 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593094377540-D7W1IIH98YAY9EAFMZTT/LB6.jpg Lori Blondeau https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593094378110-MUJFE9SH3MUHCZZRSYK5/LB5.jpg Lori Blondeau https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593094380716-IGPS5YHEDZGL49E6OH36/LB2.jpg Lori Blondeau https://www.gardenship.ca/paul-chartrand daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591640968273-G1Z6IAR1YCJSVDBU45QN/Website+Portrait.jpg Paul Chartrand - Paul Chartrand Paul engages with environmental issues through the construction of sculptural life support apparatuses populated with living plants. He repurposes objects and cultural signifiers like language to act as habitats and conceptual support systems. Doing this subverts and re-contextualizes them as players in functioning ecosystems. Currently he is focused on living text installations, hydroponic assemblages and interdisciplinary drawing practices. The plants and other natural elements that Paul involves all have agency of their own; manifested through their power to change the appearance and effect of the work. Often the projects are dispersed through viewer participation that includes planting, conserving, reading and physical consumption. By working with plants, it is Paul’s intention to meaningfully engage with their agency as well as their relationships with humans past, present and future. www.paulchartrandart.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/36b3e34d-648f-46fc-9832-fbeee5b47643/24.Paul+C..jpg Paul Chartrand Desiccated Root Text (and other works), 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641025019-CM7F5Q6BCUCJ3XR6FQ1K/Percolator+2%282%29.jpg Paul Chartrand https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641024723-MIYHY69S1T60FI1CXPTV/Paul_Chartrand_C02_Sequestration_via_Trees_Social_SLee_LR-09.jpg Paul Chartrand https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641020971-3XD44XPFG7Z302UWMBJP/Assisted+Equilibrium1+2.jpg Paul Chartrand https://www.gardenship.ca/sean-caulfield daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641731795-D0CMBYHJ6PQGWRSFVYYQ/IMG_2635.jpg Sean Caulfield - Sean Caulfield Sean Caulfield was named a Canada Research Chair in Fine Arts (Tier 2) from 2000 – 2010, and is a Centennial Professor in the Department of Art and Design at the University of Alberta, living and working in Treaty Six territory. He has exhibited his prints, drawings, installations and artist’s books extensively throughout Canada, the United States, Europe, and Japan. Recent exhibitions include: Dyscorpia, Enterprise Square Gallery, University of Alberta; The Flood, Art Gallery of Alberta, Edmonton; Firedamp, dc3 Art Projects, Edmonton; The Body in Question(s), UQAM Gallery, Montreal; Perceptions of Promise, Chelsea Art Museum, New York, USA/Glenbow Museum, Calgary, Alberta. Caulfield has received numerous grants and awards for his work including: The Special Award of the Rector of the Academy of Fine Arts in Warsaw, Krakow Triennial, 2015; SSHRC Dissemination Grant: Canadian Stem Cell Network Impact Grant; SSHRC Fine Arts Creation Grant; Canada Council Travel Grant; and a Visual Arts Fellowship, Illinois Arts Council, Illinois, USA. Caulfield’s work is in various public and private collections including: Houghton Library, Harvard University, USA; Fitzwilliam Museum, Cambridge, England; Blanton Museum of Art, University of Texas, Austin, Texas, USA. In 2017 Caulfield was elected to the Arts Division of the Academy of the Arts and Humanities of the Royal Society of Canada. www.seancaulfield.ca https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/3a5a7e33-9f12-43f8-8d37-a5fa608db035/28.Sean+C..jpg Sean Caulfield Powerlines, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641823979-NIYKQLSW0LFP5FVUN8CH/Caulfield_Powerline_04.jpg Sean Caulfield Studio View of Powerline in progress, carved wood with mixed media, 2020 (Photo Credit: Blaine Campbell) https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641821046-ISLA0FWVAVLFPRID86JT/01+Caulfield_The+Flood+Mannin+Hall+.jpg Sean Caulfield Installation view of The Flood, carved wood relief, approximately 20 x 30ft, Art Gallery of Alberta, Canada, 2016. (Photo Credit: Blaine Campbell) https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591641825683-U1K2B3TRUQ9K0IWND6XP/16+Caulfield_Evolving+Anatomies.jpg Sean Caulfield Evolving Anatomies (collaborative work with Marilene Oliver), 26ft x 7ft x 12ft with variable dimensions, mixed media including carved plywood, silkscreen, laser cut plastic, wax, and projection, 2019. https://www.gardenship.ca/tom-cull daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591642310546-14WSF11L0SVPFEY24X3U/Tom+GardenShip.jpeg Tom Cull - Tom Cull Tom Cull teaches creative writing at Western University and was the Poet Laureate for the City of London from 2016-2018. Tom’s first collection of poems, Bad Animals, was published in 2018 by Insomniac Press. His chapbook, What the Badger Said, was published in 2013 (Baseline Press). His work has appeared in several journals and anthologies including, The Rusty Toque, Long Con Magazine, The Windsor Review, The New Quarterly, and Undocumented: Great Lakes Poet Laureates on Social Justice (Michigan State UP). Tom is the director of Antler River Rally, a grass roots environmental group he co-founded in 2012 with his partner Miriam Love. ARR works to protect and restore Deshkan Ziibing (Thames River). Tom is also an editor for Watch Your Head, an anthology of creative works devoted to climate justice. www.tomcull.ca https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593282616685-0TU47EXWPS4CFLME0L7Q/Bad+Animals+cover.jpg Tom Cull - Bad Animals Tom Cull’s debut collection is equal parts zoo, funhouse, and curio cabinet. A mouthy badger tells off a search committee, a family of beavers conspires to commit murder, a celebrity seal slips his cage. In these poems, human and animal spaces overlap, often marking moments of transgression, rebellion, escape, and capture. Home and habitat are flooded with invasive species, cute animal videos, and rising tides. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/0618cb2e-d9e1-4bb1-a5e4-d1d8195b6c25/30.Tom+C..jpg Tom Cull - Tom Cull with Danielle Butters & Sruthi Ramanarayanan UpStream/DownStream,(still), 2020-2021 UpStream/DownStream is a project that brings together art and activism to focus on the question of clean drinking water and healthy river ecology. The work is comprised of two video ‘poems’ that were composed from footage taken at a number of river cleanups held in London, Ontario, and at Oneida Nation of the Thames—two communities that are connected by one river: Deshkan Ziibi/Thames River. Oneida First Nation is currently on a boil-water advisory due, in part, to the ways that the city of London and other upstream communities pollute the river. Volunteers were invited to participate in the cleanups and share their thoughts about what water means to them. . https://www.gardenship.ca/joan-greer daily 0.75 2021-11-08 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/f275ea37-2278-4048-a097-f8185b9babef/8.J.+Greer.jpg Joan Greer - GardenShip Journal, 2021 (created with T.Cull, A.Fay, A.Villar) The journal was developed by Joan Greer, Tom Cull, Amelia Fay, and Andrés Villar, and designed by Katie Wilhelm, as a personal guidebook and a space for reflecting upon and engaging with the works and themes of the exhibition. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643425126-3FS361M5OK1CQU39M8FA/JG+unknown+IMG_6897+%282%29.JPG Joan Greer - Joan E. Greer PhD Vrije Universiteit, Amsterdam (Professor, University of Alberta), teaches the History of Art, Design, and Visual Culture. Her research engages with issues of artistic identity, landscape art, the history of environmentalism, and theories of nature and ecological envisioning, both historically (most particularly in the long nineteenth century) and in contemporary art and design, with a special interest in The Netherlands and Belgium. Her ongoing major research project is entitled “Visualizations of Nature in Nineteenth-Century Dutch Print Culture: Religion, Science, Art”. Greer is a member of three national and international collaborative research-creation projects; a founding member of the University of Alberta Faculty of Arts/ALES Environmental Studies (ES) Programme; an ongoing member of the U of A Science and Technology in Society (STS), and Religious Studies (RS) interdisciplinary programmes; and a member of the leadership team in the U of A Faculty of Arts Mediating Science and Technology Signature Area. https://www.gardenship.ca/jamelie-hassan daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1599522863865-W55YVOAI0ZS3M3MPGWIZ/cropped+Jamelie.jpg Jamelie Hassan Photo credit:Christopher Dew https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/da827109-e2f9-4ab2-aced-5a94a2848077/13.JH+1.png Jamelie Hassan Gizzard Shad, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/02bee342-780b-4a07-9daa-1af6ad37e5c9/14.JH+%28alt+1%29.jpg Jamelie Hassan Jamelie Hassan Artwork https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/10ed42b1-cb6c-4e17-9fe0-1867414e764d/15.JH%28alt+2%29.jpg Jamelie Hassan Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643969384-7SIUVZAR8WWH2II2X6M9/J.-Hassan_The-Copyist.jpg Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643970618-F81BYM8EDXNWGOL6OHV5/J.-Hassan_De-Palmas.jpg Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643969817-KSFGJNHJHMKIFLX1R7WV/J.-Hassan_Oblivion-Seekers.jpg Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643971738-HA8EQLBIAEDMD7R5SUKZ/J.-Hassan_Could-we-ever-know.jpg Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643970663-EOTJCHMJZLC7GEBICDUI/J.-Hassan_My-Father-Alex.jpg Jamelie Hassan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591643970463-78L19GKU3G7YV0RTPVFN/J.-Hassan_Wall-with-Door.jpg Jamelie Hassan https://www.gardenship.ca/sharmistha-kar daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644294780-3PQE0XVQQSC2GYENFVJQ/S+Kar.jpg Sharmistha Kar - Sharmistha Kar Sharmistha Kar is an artist from India and currently living in London, Ontario. She did her MFA from Western University, focusing on hand embroidery. Kar’s early education began in West Bengal, India and higher education in Fine arts at the University of Hyderabad. She was at Space studio, returning to Hyderabad in 2012 to join IIIT as a lecturer. She was awarded with the Charles Wallace India Trust Award, 2013, Dean’s and Chair’s Entrance Scholarships at Western in 2016, and Graduate Thesis research Award in 2018. She had. She had exhibited in India, UK, the USA, Finland and in Canada. The exquisitely complex work of Sharmistha Kar, employs traditional and contemporary adaptations of embroidery to explore mapping, migration and identity. Fabric from thrift stores addresses her interest in including the touch of local people within her projects. A sense of temporary presence was an important thought for her due to personal travel experiences. The tent therefore became a key image for her, as well as an architectural form. Using the geometric form of a parallelogram to represent the roof of the tent was vital for Kar, in different compositions on paper and tarpaulins. www.sharmisthakar.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/8178d4f0-c6b4-4fc7-b7e2-5cfa982c9aa5/29.Sharmistha+K..jpg Sharmistha Kar Home and Land; Soft Shelter – Walking together, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644411925-YB1LBVWND9K8YLTCUH2W/QSharmistha_Kar%3D2C_%3DE2%3D80%3D9CSoft_Shelter_IV%3D2C%3DE2%3D80%3D9D_2018%3D2C_Needlework_on%3D+tarpaulin%2C+220+cm+x+278+cm.JPG Sharmistha Kar https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644424768-AN0I6RI2WIEHVM3BAN3Z/Sharmisth+Kar_+Soft+Shelter+VI_2019_Handembroiery+on+rice+paper+and+light+box+_51+x+43+x+10+cm.JPG Sharmistha Kar https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644429276-98YAKPDD1TPZ6ZO46GUY/r%3D2C_%3DE2%3D80%3D9CThe_Monolithic_Boat%3D2C%3DE2%3D80%3D9D_Hand_embroidery%3D+and+Bunka+on+fabric%2C+2019%2C+213+cm+X+91+cm.JPG Sharmistha Kar https://www.gardenship.ca/jessica-karuhanga daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593455437872-HFMB3RU8JORZE1YYQJPJ/thumbnail_OIP.biKIHCeB_1sL8K2kLt3wUQHaFd.jpg Jessica Karuhanga - Jessica Karuhanga Jessica Karuhanga is an African-Canadian artist who works through writing, video, drawing and performance. She has presented her work at The Bentway, Toronto (2019), Nuit Blanche, Toronto (2018), Onsite Gallery at OCAD, Toronto (2018), Museum London, London (2018), Goldsmiths, London, UK (2017) and Art Gallery of Ontario, Toronto (2016). Her writing has been published by C Magazine, Susan Hobbs Gallery and Fonderie Darling. She has been featured in i-D, DAZED, Visual Aids, Border Crossings, Toronto Star, CBC Arts, filthy dreams, Globe and Mail and Canadian Art. She earned her BFA from Western University and her MFA from University of Victoria. She lives and works in Toronto, Canada. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/36e630df-8489-4443-87ee-efcbc9e7acd5/12.Jessica+K.+1.jpg Jessica Karuhanga Blue as the insides, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/76b31b86-5ad1-4f8d-b0a3-9749446f7c84/12.Jessica+K.+2.jpg Jessica Karuhanga Blue as the insides, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1595861934082-L3QATWC2VKNNX738N936/being+who+you+are+there+is+no+other_Karuhanga.jpg Jessica Karuhanga Body and Soul, 2019, Single-channel Video Projection, 5 minutes https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1595861939867-AR2RZ25WHS4L2E1PYM19/%23Carefree_Jessica+Karuhanga.jpg Jessica Karuhanga being who you are there is no other, 2018, Two-channel Video Projection, 15 minutes https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1595861974458-Q7JGSZB8XS3FN3Z6NAC6/Body+and+Soul_Jessica+Karuhanga.jpeg Jessica Karuhanga #Carefree, 2016, Performance, 20 minutes https://www.gardenship.ca/mark-kasumovic daily 0.75 2020-06-27 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644709864-3PX2AV0UP9T8E7DTLV1C/image001.jpg Mark Kasumovic - Mark Kasumovic Mark Kasumovic is a Hamilton, Ontario born artist currently sharing his time between Canada and the UK. His work revolves around the inherent truth-value of the photograph and the many limitations within the medium. His most recent work investigates the relationships between technology and knowledge production within the context of scientific research. Other projects include: Picture/Perfect, which uses the tourist as a backdrop to explore the explosion of digital images as data in the information age, An American Landscape, which explores the multiplicity of meaning possible through the process of picture making with a camera, and Ideal Landscapes, which challenges the value of traditional landscape photography by turning the natural landscape into an artificially lit stage. In 2008, Mark was selected as the Ontario winner of the BMO Art First National Competition along with being credited best in show of his graduating class exhibition at Ryerson University, and receiving the Snap! Stars art award sponsored by TD Canada Trust. The following two years, Mark was featured in Magenta Foundation's annual publication, Flash Forward: Emerging Photographers. Since then, Mark has received grants and honours from the Ontario Arts Council, Canada Council for the Arts, Culture Nova Scotia, and the Social Sciences and Humanities Research Council of Canada. Recently, Mark was awarded Junior Visiting Research Fellowship at the University of New South Wales School of Biological, Earth and Environmental Sciences (Faculty of Science). His recent exhibitions include commissions to photograph the Ontario Greenbelt for Canada's largest outdoor exhibition space at the Harbourfront Centre in Toronto, and three new installations at the Harbourfront Centre's Ontario Square from onwards. www.markkasumovic.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/14ab8203-6775-4c3d-83d9-7210313d8164/17.Mark+K.+1.jpg Mark Kasumovic Bird Watching Hut, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1c2ca138-d3c5-4258-9c84-7d15ff419908/18.Mark+K.%28alt.%29.jpg Mark Kasumovic Bird Watching Hut, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644754102-857XYYZPHB0SOIRYBXSU/Untitled_Panorama2.jpg Mark Kasumovic https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644755316-156LPVSKP2BRL5RWFC69/ArtLab02l.jpg Mark Kasumovic https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591644755316-8GULJIAAR9F2UK56ZM6W/AGM_install2.jpeg Mark Kasumovic https://www.gardenship.ca/mary-mattingly daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645077331-4KQIV406ZBY1A2MH3EIP/mattingly-owns-still-000-500x281.jpg Mary Mattingly - Mary Mattingly Building urban ecologies that address food, water, and shelter through sculpture and storytelling drives my artwork. I co-create sculptural ecosystems in public spaces, often with ecologists, engineers, students, stewards, and with input from neighbors. Public art can strengthen common spaces, working between policy, community groups, and the built environment through long-term engagement. After analyzing my personal consumption and the material supply and waste chains of the tools I use, I began making interdependent ecosystems from material waste as a way to reimagine the public sphere. In 2016 I led a free, floating food forest on a barge in the public waters of New York in order to circumvent public land laws. In a food-insecure city, these laws have made it illegal to pick food in the 30,000 acres of public space. It is on its way to becoming a permanent public park in Brooklyn, and has spearheaded the “foodway” a 24-hour public greenway in Concrete Plant Park, the Bronx, where people can harvest edible plants for free. Projects like this have grown and changed with inputs from neighbors, and that’s the most exciting part about building together: we all have diverse ideas to bring to the table. For guidance, I often look to a manifold group of activist-writers, with re-occurring voices who include Wendell Berry, Judith Butler, Dorothy Day, Amitav Ghosh, Robin Wall Kimmerer, Elinor Ostrom, Edward Said, and Vandana Shiva. I believe the process of co-creating ecosystems reimagines creative ways of being with the objects we use, as well as the land, plants, animals, and each other. www.marymattingly.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/09010254-0b36-46a6-96d2-3310d60ed6c1/19+mary+m+2.jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/eafabe3c-3545-4655-b13e-78c303f6a291/19+mary+m+3.jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/ccd3321c-e873-4784-a630-b9452e54d1de/19+mary+m+4.jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/4cd0bd6e-3937-4572-ab42-c17c8d0c076f/19+mary+m+5.jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/65ef1b9a-88d5-499b-a98b-44ed27338efd/19+mary+m+6.jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/d74f30ad-08a1-4928-93bc-2e19c6741136/19+mary+m+7.jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/3cc44e20-ca55-491f-b8c5-fbdf9da9339b/19.Mary+M..jpg Mary Mattingly Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645129354-H7MDT5HDTA6WL2I35TF5/1Mattingly_02+copy+2.jpg Mary Mattingly Along the Lines of Displacement, 2018. Trees, soil; 33’ x 40’ x 42’ Three tropical fruit trees from agricultural zones 9 and 10 transplanted in agricultural zone 5 and 6 as a “living sculpture” and provocation: a proposal for a future that is predicted for the turn of the next century, when a 4-degree Celsius [7.2-degree Fahrenheit] temperature rise is the baseline for change with climate change. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645130839-12WVV3CE4RLQ3ZIGVR42/1Mattingly_01+copy+2.jpg Mary Mattingly Swale, 2016, and ongoing. A steel hopper barge, edible vegetation, soil, gravel, aluminum, wood, fabric, landfill liner; 130 x 40 x 22 New York City currently has 100 acres of community garden space, compared with 30,000 acres of public parkland. “Swale” is a public floating food forest in New York City, it utilizes common laws of the water in order to circumvent New York City’s public land laws. Growing or picking food on New York City’s public land has been off-limits for almost a century for fear that a glut of foragers may destroy an ecosystem. This way, Swale is able to dock adjacent to public land and allow people to freely forage edible and medicinal plants grown onboard. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645138121-FVJGAIUJLRO4QPSY8GM0/1Mattingly_10+copyright+Jason+Wynch.jpg Mary Mattingly "Last Library" was a project showcased at the University of Colorado's Art Museum where students and facilitators co-designed possibilities for an "Ecotopian Library" in Boulder, Colorado. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645138744-RUGR2JRJ1W478ZIHARO2/1Mattingly_09+copy.jpg Mary Mattingly What Happens After? 2018, BRIC, a reconstructed military vehicle. What happens when an object that embodies both the systemic violence represented by war and and by climate change is manifested in a public space? The vehicle - used in the Gulf and Afghan wars and made in the U.S. by Oshkosh Defense - was collaboratively re-designed by nine artists, veterans, and activists into a platform for performance. Throughout the run of the exhibition, programming by these artists and across BRIC will be presented on the platform. The activation of an object with such a loaded history will further challenge our ability to collectively reenvision our environment in the present and future. When we're able to change the form and function of an object with a violent and complex history, it can be powerful. Can it become ritual? Can it be healing? https://www.gardenship.ca/patrick-mahon daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1598293889582-QRPZ05BDS67GK7IMPFI8/Mahon+Studio+Cropped.jpg Patrick Mahon - Patrick Mahon Patrick Mahon is an artist, a writer/curator, and a Professor of Visual Arts at Western University, in London, ON, Canada. Currently, he is Director of the School for Advanced Studies in the Arts & Humanities at Western. Mahon’s artwork has been exhibited widely: in Canada at The Art Gallery of Hamilton, the Southern Alberta Art Gallery, Museum London, The Museum of Contemporary Canadian Art, Toronto; internationally in exhibitions in China, France, Norway, and Switzerland; and in numerous print biennales since the early 1990’s. Patrick’s collaborative project, Immersion Emergencies and Possible Worlds, resulted in a ten-artist group exhibition, The Source: Rethinking Water through Contemporary Art, presented at Rodman Hall, Brock University, Canada, in 2014, with a second iteration, The Living River Project, at the Art Gallery of Windsor in 2019. Other recent Canadian exhibitions include McMaster Museum of Art (2013); Wilfred Laurier University (2013); and Gallery 1C03, University of Winnipeg (2014). Among Mahon’s curatorial projects are the exhibitions, “Lines Painted in Early Spring: Ferguson, Reeves, Ruschiensky, Savard,” (2003-04, Southern Alberta Art Gallery and circulating); “Gu Xiong and Xu Bing: Here is what I mean,”(2004, Museum London and Doris McCarthy Gallery, Toronto); “Hinterlands: Fastwurms, Glabush, Thornycroft, Urban,” (2008-09, McIntosh Gallery, Western, and Harbourfront Centre, Toronto); and “Barroco Nova,” (2012, Museum London, McIntosh Gallery, and ArtLab, Western). www.patrickmahon.ca https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/28e2378e-a780-4275-96fc-35e3367abd92/Mahon+1.jpg Patrick Mahon Threshold Flags: Caledonia Occupation Site – from Photograph by Jeff Thomas (2008), 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/4fb12222-1ef4-4040-9963-923a1597b840/Mahon+2.jpg Patrick Mahon Threshold Flags: Caledonia Occupation Site – from Photograph by Jeff Thomas (2008), 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645690425-UDRP1YID3CT8JI3D9QDT/Mahon+Nonsuch+Garden.jpg Patrick Mahon Nonsuch Garden Installation with collages and sculpture produced with Dickson Bou 2015 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645674214-AURBG9ZEVIM1FB9SWBAA/Mahon+-+Design+for+a+Dissemunization+Stn..jpg Patrick Mahon Design for a Dissemunization Station (UNAIDS, Geneva) Installation with printed tent structures, medical equipment, sound 2017 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591645837029-HJRXS4N50SI5UVDSX41E/Mahon+-+Messagers+Forum+Install.jpg Patrick Mahon Messagers’ Forum (draft presentation view) Installation with wall structures and pavilion frame, furniture 2018-20 https://www.gardenship.ca/quinn-smallboy daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593280001541-AYEAVUHU8K4I70VQKTQI/Quinn+2.jpg Quinn Smallboy - Quinn Smallboy Quinn Smallboy is a visual artist born in Moose Factory, Ontario, and a member of Moose Cree First Nation. He completed his MFA at Western University and in 2004 received a diploma in multimedia and production design from Fanshawe College. Currently his artistic practice investigates what it means to be a “contemporary Indigenous artist” – specifically, he questions how customary symbols and icons of Indigenous culture translate into painting, sculpture, and installation. His work resides in several public and private art collections, and his exhibition experience includes public and private art galleries, and museums including McIntosh Gallery, Woodland Cultural Centre, and DNA Art Gallery. www.quinnsmallboy.com https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/70cbd94b-e618-466e-a961-b18889209091/25.Quinn+S..jpg Quinn Smallboy Colours – Small Drum Ring, 2021 and Lines – Small Drum Ring, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597412779601-W6P2IRZ1X816VHJDGLFB/Quinn1.jpg Quinn Smallboy https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597412785653-D6ISHF8TUET2K70EO61E/Quinn2+copy.jpg Quinn Smallboy https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597412790949-8EU8UBWPLXGO55TZSE3R/Quinn3.jpg Quinn Smallboy https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1597412795789-TBWQX2D59UR3AIYM6TWP/Quinn4.jpg Quinn Smallboy https://www.gardenship.ca/jeff-thomas daily 0.75 2020-06-27 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591729962888-AZ84PHN4QRV2ZYR24RXJ/Jeff+Thomas+selfie%2C+2020.jpg Jeff Thomas - Jeff Thomas. Jeff Thomas (b. 1956, Buffalo, New York) is an urban-based Iroquois, self-taught photo-based story teller, writer, pubic speaker, and curator, living in Ottawa, Ontario, and has works in major collections in Canada, the United States, and Europe. Jeff's most recent solo shows were Birdman Rising, University of Southern Illinois, A Necessary Fiction: My Conversation with Edward S. Curtis & George Hunter, Art Gallery of Mississauga, The Dancing Grounds, Wanuskewin Heritage Park (Saskatoon), and Resistance Is NOT Futile, Stephen Bulger Gallery (Toronto). Thomas has also been in many group shows, including The Family Camera, Royal Ontario Museum, Toronto, Ontario: Tributes + Tributaries, 1971-1989, Art Gallery of Ontario, Land/Slide: Possible Futures, Markham, Ontario, SAKAHÀN, National Gallery of Canada, UNMASKING: Arthur Renwick, Adrian Stimson, Jeff Thomas, Canadian Cultural Centre, Paris, France. In 1998, he was awarded the Canada Council's Duke and Duchess of York Award in Photography, Royal Canadian Academy of Art (2008), The Karsh Award in photography (2008), the REVAL Indigenous Art Award (2017), and the Canada Council Governor General Award in the Visual and Digital Arts (2019). https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/4ae30c2c-3317-4587-8b55-e0901efb419f/9.Jeff+T.+1.jpg Jeff Thomas Broken Treaties, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/9a60cf8b-f586-4508-8059-42e0c8ad8931/10.Jeff+T.+%28alt.%29.jpg Jeff Thomas Broken Treaties, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/45ff6b6d-a22e-4ded-9017-48324889a28b/11.Jeff+T.+%2B+Ron+B..jpg Jeff Thomas Broken Treaties, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591730070777-H5CFRUGX2VSN0AKO494W/2.+Indians+on+Tour-+The+Map+Makers+Room%2C+figure-Wolf+Head_2012.jpg Jeff Thomas https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591730006519-SP093LTGWJD2IILOSV58/1.+Indians+on+Tour--Toronto%2C+Ontario%2C+2007%2C+Father+and+daughter%2C+Broadview+Park.jpg Jeff Thomas https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591730079512-QCCWU2ZNQKN7HZ67XT0J/3.+White+Corn-+Drying+White+Corn%2C+1990+%281%29.jpg Jeff Thomas https://www.gardenship.ca/michelle-wilson daily 0.75 2020-06-29 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591730341488-9Y2ZC0DEV0DCP1SJY2T2/Unknown.jpeg Michelle Wilson - Michelle Wilson In her work, Michelle Wilson explores the use of inter-media art as a conduit for imagining alternate political and personal realities in which non-human animals are afforded relational and differentiated rights. Wilson received her BFA from the University of Ottawa in 2005 and graduated with highest honours from the School of Photographic Arts, Ottawa in 2008. In 2015, she successfully defended her MFA thesis, ANIMA: Visual Art as a Vehicle for Exploring Other Modes of Relatedness at the University of Manitoba. She is currently a third-year Ph.D. candidate in Art and Visual Culture at the University of Western Ontario. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/397a451d-3cf2-4123-b734-6efc210bfa9e/21.Michelle+W.jpg Michelle Wilson Forced Migration, 2020-2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593460237023-IQ6A2IJ1T5NLXYUC3ZQS/DSC01131+copy.jpg Michelle Wilson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593460456078-TNWINZ0KLRB26IBA9FF4/DSC01122.JPG Michelle Wilson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593460350069-ZD83NCWKLLDAGTIFY85I/DSC01137.JPG Michelle Wilson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593460264547-VNZTUKF5M5C4EQYP5SG7/DSC01142.JPG Michelle Wilson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593460525535-ZWRDES4PFD01M5PU3HWL/Screen+shot+2019-11-18+at+10.10.24+AM.png Michelle Wilson https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1591730477452-8TN2DVM2RZYDZMKXJKO2/Unknown-1.jpeg Michelle Wilson https://www.gardenship.ca/michael-farnan daily 0.75 2020-06-27 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092628311-XI58EO88SEWZOVTFM942/thumbnail_Canoe+Fight+Still_Oxtongue+River_Pose+scene+3+reduced+%281%29.jpg Michael Farnan - Michael Farnan Michael Farnan is a multi-disciplinary artist and holds a Studio-based Ph.D in Art and Visual Culture from Western University. He works in a variety of media including painting and drawing, sculpture, video and performance. Farnan's work seeks to disrupt and unsettle Canada’s history of colonialism and the visual representations and discourses surrounding wilderness, nature, and nationhood. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/44ef71c1-ad0b-4c64-8dfd-162f650f250e/20.Michael+F..jpg Michael Farnan A Map Depicting the Settlement History of the Land, Plants, Animals, People, and Water Between Here and There. Here being where I am, and There being where you are. A Work in Progress, 2021 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092981865-KBEYGCSP8HOXT9R8XJKA/Farnan3.jpg Michael Farnan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092983448-WKHUNS3SA69FJUTWBHJ2/thumbnail_Canoe+Fight+Still_Oxtongue+River_Pose+scene+3+reduced+%281%29.jpg Michael Farnan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092982522-RDWZMEKQR4GKYV0ZHLBD/Farnan2.jpg Michael Farnan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092982176-3YQMYM7ABH50HCCJJ57U/Farnan1.jpg Michael Farnan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092981622-RT7ITPLU0SUVSG3FQ0CF/Farnan.jpg Michael Farnan https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1593092982378-X1KTQ45UDTKBJNAQWR2P/thumbnail_04_Mapping+Canoe+Fight_Farnan_2019.jpg Michael Farnan https://www.gardenship.ca/gardenship-workshop daily 0.75 2021-11-03 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https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596555334525-XARME4GXQYU5KHAHDEUH/Morton6.jpg Timothy Morton https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596555534967-A8ER2PGWSLVURDTYYNQT/image-asset.jpeg Timothy Morton https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1596555256142-5RQONZNVTMT1I2U596QV/image-asset.jpeg Timothy Morton https://www.gardenship.ca/words-festival-2020 daily 0.75 2021-11-03 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1606156532082-Y7S3ER4MEFX06VW5VONN/artists-studio-1920x1005-FB.png Words Festival 2020 https://www.gardenship.ca/project-development-exchange daily 0.75 2021-11-04 https://www.gardenship.ca/stop-extinction-restore-the-earth daily 0.75 2021-11-02 https://www.gardenship.ca/sowing-clay daily 0.75 2021-10-08 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1633358996883-TKHTZM0T9G8BY23ALLHW/Sowing+Clay+poster+copy.jpg Sowing Clay - Join us to make clay links and form community. Sowing Clay brings together communities to create a memorial to land and water defenders killed protecting the more-than-human. Paul Chartrand and Michelle Wilson lead this collaborative project, which calls on participants from across Turtle Island to create a monumental installation. When completed, this memorial will comprise a chain of over 700 open links formed from unfired, locally gathered clay. Each link in the chain will carry one etched name and native seeds mixed into the clay body. When joined together, the links resemble intertwined arms, harkening to non-violent resistance movements and protests. https://www.gardenship.ca/exhibition daily 0.75 2024-11-28 https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/380c455e-9204-4502-80c8-42d2af6b1833/28.Sean+C..jpg Exhibitions - Sean Caulfield Powerlines, 2021 In Powerlines, Sean Caufield considers how we imagine a more just future for and with our children. This series of sculptural 'toys' that references the infrastructure of the fossil fuel industry, includes an oil tanker, oil derrick and military vessel. Alongside these vessels' recognizable contours are several smaller amorphic bodily 'toys.' The work is simultaneously whimsical, absurd, and dark, with an ominous feeling of "consequences we all face if we do not build more sustainable and equal communities." https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/ed6c7f2a-69e0-4d65-8e3b-32948d77c6b7/20.Michael+F..jpg Exhibitions - Michael Farnan A Map Depicting the Settlement History of the Land, Plants, Animals, People, and Water Between Here and There. Here being where I am, and There being where you are. A Work in Progress, 2021 Michael Farnan presents a visual mapping and meditation on the politics of making place and meaning, as a settler, on the land and waters in which the artist lives, works, and travels. He notes, “The map imagery illustrates historical “settlement” narratives (colonial invasion), of the Great Lakes region of Canada, as well as their intersections with (forced) Indigenous displacement (Reservations and Treaties) and the non-human life of bird, fish, and mammal. The video shown represents a moment of reflection on one of the other places I have thought of as home, living and working in the East Kootenay’s, planting trees for the past 25 years. For me, this research is ongoing, vital, and remains a work in progress.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/0618cb2e-d9e1-4bb1-a5e4-d1d8195b6c25/30.Tom+C..jpg Exhibitions - Tom Cull with Danielle Butters & Sruthi Ramanarayanan UpStream/DownStream,(still), 2020-2021 UpStream/DownStream is a project that brings together art and activism to focus on the question of clean drinking water and healthy river ecology. The work is comprised of two video ‘poems’ that were composed from footage taken at a number of river cleanups held in London, Ontario, and at Oneida Nation of the Thames—two communities that are connected by one river: Deshkan Ziibi/Thames River. Oneida First Nation is currently on a boil-water advisory due, in part, to the ways that the city of London and other upstream communities pollute the river. Volunteers were invited to participate in the cleanups and share their thoughts about what water means to them. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/fd4548c6-7ba1-4d09-9f45-82fa5b5d9a69/12.Jessica+K.+1.jpg Exhibitions - Jessica Karuhanga Blue as the insides, 2021 Shifting between disconnected spaces and moments, Blue as the insides is comprised of innumerable single-frame shots. The video depicts a figure dancing, gesturing and reaching in moments of solitude. The tightly shot images allow the viewer an intimate glimpse of a performance conveying the most personal themes; loneliness, grief, and loss. The lone dancing figure is an affective meditation on solitude in this moment of isolation. In this work, Jessica Karuhanga asks, “What is the efficacy of art in a period riddled with unending uncertainty?” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/a9d1e198-b699-44a4-a682-6b35bd5d1e9f/26.Ron+B.+1.jpg Exhibitions - Ron Benner As The Crow Flies, 1984-1991 “Ron Benner’s multi-media installation As The Crow Flies follows meridians of longitude south from London, Ontario and Toronto, Ontario. The work provides glimpses of the interconnected organic and inorganic matter that forms these sites. “The names of native American plants, place names and Indigenous nations found along the two longitudes border the perimeter of the space top and bottom. This work offers an alternative vision of what lies due south of London and Toronto, Ontario.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/41269c5c-1d16-4fd9-8751-43e4239abdf4/3.Adrian+S.+1.jpg Exhibitions - Adrian Stimson Naamo Ooko’o’wa Omahkokata A’paissapii… - Bee Tower and Gopher Looking (and other works), 2021 This ambitious project by Adrian Stimson presents a carefully crafted meditation based on the artist’s deep investigation into his Blackfoot culture and its stories. “My installation is a response to the research and work undertaken through the Gardenship & State Project; seeing and experiencing the rapid changes in our environments because of climate change. I have used the Anthropocene epoch or humans’ activities that have impacted the earth as a guiding principle, as well as responding to the real effects of the pandemic that impacted this project at the beginning. I have used the Blackfoot term ‘Awwasukapi,’ meaning; many things happening, some good, some bad. It is often used to describe something bad, yet it can be subjective, meaning that good things can come of the bad.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/76292b41-7b49-4b82-b07a-380be4eb746a/21.Michelle+W.jpg Exhibitions - Michelle Wilson Forced Migration, 2020-2021 In this interactive textile map, Michelle Wilson stitches together organic and technological material to memorialize specific bison killed, captured, or bred in an effort to save the species from extinction. “When viewers touch a segment of this journey, they will hear an associated story; not a straightforward narrative but a glimpse at the places, beings (human and non-human) and tales that have shaped our current relationships with bison.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/bcf1e644-8f58-4bc5-a274-061db6d83178/11.Jeff+T.+%2B+Ron+B..jpg Exhibitions - Jeff Thomas & Ron Benner Collaboration A series of photographic works by Jeff Thomas, one produced in collaboration with Ron Benner, are presented in Museum London’s Community Gallery. Overlooking the site of Ron Benner’s garden and the Deshkan Ziibi, the installation is mounted on garden trellises made by Ron Benner, which the artist used in previous garden projects. Left Lattice: Jeff Thomas A Crying Shame, 2021 pigment print on archival paper Corn Products, 2007 pigment print on archival paper Corn Products, 2007 pigment print on archival paper Right Lattice: Jeff Thomas and Ron Benner Feast: From the Garden of Ron Benner, 2021 pigment print on archival paper Jeff Thomas Waiting at the Confluence of Deshkan Ziibi for the Delegates’ Arrival, 2021 pigment print on archival paper The installation includes a chair borrowed from the collection of Museum London. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/547f6c60-29b5-4987-9b57-ddbdbabef3e9/29.Sharmistha+K..jpg Exhibitions - Sharmistha Kar Home and Land; Soft Shelter – Walking together, 2021 Home and Land, Soft Shelter - Walking together, and Blurred steps III emerge from Sharmistha Kar’s shifting connections to place as she has moved around India and to Canada. They touch on consistent themes in her recent work; migration and resettlement in the wake of colonialism. Kar recognizes this shared history in both of the nations she now calls home. She uses both meticulous embroidery and interventions such as showing the verso (or reverse) to record and make strange the traces colonialism has left on land, culture, and her own lived experience. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/21d82acc-9242-4a0e-9fc5-e150c83f9c23/22.Patrick+M.1jpg.jpg Exhibitions - Patrick Mahon Threshold Flags: Caledonia Occupation Site – from Photograph by Jeff Thomas (2008), 2021 Patrick Mahon is interested in signs, emblems, and markers of place, as well as for ceremonial and ritual purposes. He notes, “These works based on images involving flags, came about as I was thinking about land, and histories of colonialism, and of important present-day challenges regarding the environment and colonization that we need to work on and understand – including through our use of symbols. Each of the works depicts a context where flags appear at a threshold site of social or historical engagement. I have made the pieces in a manner that both fixes the image physically, and presents it as if in a state of transition. By doing this, I’m asking the viewer to decide if the pictures are coming into focus, or becoming more diffuse, and what that can tell us about the time of transition, transformation and passage we are experiencing.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/2323412b-9a3d-415a-aebf-c7b3fcdfb415/9.Jeff+T.+1.jpg Exhibitions - Jeff Thomas Broken Treaties, 2021 The works Jeff Thomas presents here are based on the principles set forth in the 1613 Two Row Treaty. Thomas notes, “The treaty was a document agreed to between the quickly emerging Dutch colony and my Haudenosaunee ancestors. The principal of peaceful co-existence was not carried forward by European settlers, yet, the Haudenosaunee still hold the treaty as a living document and in this light, my hope is that we can find new pathways as allies, as all people face the ramifications of an environment in peril. My rendition of a now infamous poster represents my dual approach to GardenShip & State, the stereotype, treaty, and the land.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/3b2cdd0c-590e-4ab1-9641-63aae9b86efa/IMG_3335.jpg Exhibitions - Andrés Villar Birdsong, 2021 Andrés Villar asks, “Can there be such a thing as a silent garden that lacks complex, intermingling voices vibrating in the air here and there? Animals speak but are only superficially understood by humans, many of whom do not even listen to members of their own species. Author Rachel Carson used the potent image of a springtime devoid of birdsong to draw attention to landscapes made toxic by humans and their chemicals. If birdsong disappears, what will take its place? What will replace forms of life that are extinguished? The horror vacui of contemporary life might stimulate the production of simulacra for the senses, but is a garden filled with simulacra still a garden?” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1f9f5170-aae5-4ce8-97bc-8a35efff2aec/13.JH+1.png Exhibitions - Jamelie Hassan Gizzard Shad, 2021 This tile mosaic began with a walk to the Deshkan Ziibi to experience the once-in-a-decade swarming of the Gizzard Shad fish at a confluence of warm storm waters and chillier river water. Then, working from a photograph snapped by her partner Ron Benner, Jamelie Hassan responded to the organic swirling forms of the shimmering fish. Her loose, intuitive process for creating this piece has resulted in a work that references a shifting, abstracted memory of a moment with nature. These moments “have been an immense presence and comfort during these months of the COVID-19 pandemic.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/26aceca5-fb66-4ec4-b5e0-50e8d8ea24fb/16.L.+Blondeau.jpg Exhibitions - Lori Blondeau Iskwew on Lake Winnipeg, 2018 Lori Blondeau offers the following about her work, “Storytelling has influenced every aspect of my practice, and makes up a lot of what I produce visually. I take the stories, whether they are old stories or contemporary ones, and make them into visual culture. I see what I do with my art practice as high-tech storytelling in a contemporary time. As an artist who is an Indigenous woman, I cannot help but be influenced by the stories of the day and how they impact my worldview. This work, titled Iskwew on Lake Winnipeg was influenced by my move and family history in Manitoba. The photography and performance personas I create refer to the damage of colonialism and to the ironic pleasures of displacement and resistance.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/1a3ff8c0-7c3e-4135-b6bd-3bd262fda7b5/25.Quinn+S..jpg Exhibitions - Quinn Smallboy Colours – Small Drum Ring, 2021 Lines – Small Drum Ring, 2021 Currently, Quinn Smallboy’s artistic practice investigates what it means to be a ‘contemporary Indigenous artist.’ He says, “Specifically, I question how customary symbols and icons of Indigenous culture translate into painting, sculpture, and installation. These works, entitled Colors – Small Drum Ring, and Lines – Large Drum Ring, are a flip on a familiar shape within Indigenous culture. This idea of flipping or reshaping familiar objects provides a new look at Indigenous storytelling.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/9ef21e40-2308-49a6-b396-7c9d980ce238/19.Mary+M..jpg Exhibitions - Mary Mattingly Ecotopian Library, 2019 and ongoing The Ecotopian Library is a public toolkit that stems from a belief that art and ecotopian thought can be part of cultivating systemic social change. It combines disciplines including forestry, botany, geology, the arts, including literature, poetry, philosophy, and social sciences. People have contributed stories, objects, digital files, experiences, or books to build a toolkit that can help expand imaginations to co-build more regenerative futures within climate change. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/c0bdd843-6b42-4535-95f9-97a0461016f0/7.Ashley+S.jpg Exhibitions - Ashley Snook the honey is sweet, 2020-2021 the honey is sweet is a video installation where the artist presents evidence of her explorations of the colonial history and growth patterns of one of the foremost invasive plant species in Canada: Phragmites australis. She notes, “The presence of invasive phragmites in Canada reflects the pervasive impact of colonial expansion and industrial processes on southwestern Ontario’s native vegetation, endangered species, and the ongoing threat it poses to biodiversity in Canada. This video installation traces my journey through overgrown Ontario wetlands on the Truxor machine – a phragmites-control vehicle that cuts and removes biomass. In tracing the colonial history of P. australis arrival in Canada and investigating current treatment methods, the honey is sweet invites the questioning of environmental decision-making, in favour of more inclusive and informative strategies for controlling invasive species.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/f275ea37-2278-4048-a097-f8185b9babef/8.J.+Greer.jpg Exhibitions - Joan Greer GardenShip Journal, 2021 (created with T.Cull, A.Fay, A.Villar) The journal was developed by Joan Greer, Tom Cull, Amelia Fay, and Andrés Villar, and designed by Katie Wilhelm, as a personal guidebook and a space for reflecting upon and engaging with the works and themes of the exhibition. On this page is a link to an electronic version of the Journal. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/ecfb630f-e884-4011-913d-e4f4a5be2075/19+mary+m+5.jpg Exhibitions - Mary Mattingly Ecotopian Library, 2019 and ongoing Mixed medium collection Presented at the Central Branch of the London Public Library, 3rd Floor The Ecotopian Library is a public toolkit that stems from a belief that art and ecotopian thought can be part of cultivating systemic social change. It combines disciplines including forestry, botany, geology, the arts, including literature, poetry, philosophy, and social sciences. People have contributed stories, objects, digital files, experiences, or books to build a toolkit that can help expand imaginations to co-build more regenerative futures within climate change. The public is welcome to interact with the installation within the Library, and to take away a packet of corn seeds for planting. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/65f7912b-07fb-467a-a26b-f261a59ce431/24.Paul+C..jpg Exhibitions - Paul Chartrand Desiccated Root Text (and other works), 2021 Paul Chartrand engages with environmental and cultural issues through the construction of sculptural assemblages built from carefully chosen and assembled objects, which he then populates with living plants. Chartrand offers, “I consider the meaningful roles of discrete parts in functioning, living entities. Individually, plants, inanimate objects, or human actions may appear mundane, but when framed in the context of thriving and interconnected webs of being, they become members of a community. For the Gardenship and State project, I wanted to emphasize community in these assemblages as well. How can an artwork act as a focal point and catalyst for social organization and activism? Or act as an ever-changing memorial? Or, as a tangible reminder of the ephemeral nature of life, the written word, and art itself?” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/32749c29-2e92-4fe1-9ab5-0c174b180ee5/amelia+f+2.jpg Exhibitions - Amelia Fay Curating Colonialism, 2021 “My role as Curator of the Hudson’s Bay Company Museum Collection is a challenging one. The collection, established in the 1920s to celebrate the Company’s history, reflects some startling truths about a history of deeply rooted in colonialism and environmental extraction. While roughly two-thirds of the artifacts in the collection were made by First Nations, Inuit, and Métis peoples, the presence of these items reflects the problematic nature of how some of them were acquired. These moccasins provide an example of the everyday objects that make up the majority of the collection, showcasing the beautiful artistry by the maker yet imbued with this complicated history: they are catalogued under the name of the collector (a white man) rather than the Cree woman who crafted them. A name that was never recorded and is now lost. My embroidery, inspired by these moccasins, reflects the struggle I feel as I grapple with the role of museums, collections, and think about how to best serve the objects under my care. My questions aren’t new, unique to me, or this collection, but rather reflect some of the wider challenges museums face today.” https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/ad160030-f6b3-4094-ab32-c3c869673c77/18.Mark+K.%28alt.%29.jpg Exhibitions - Mark Kasumovic Bird Watching Hut, 2021 Mark Kasumovic focuses his attention on a conservation area in the UK, surrounded by heavy refining industries in a lens-based suite of works. The near post-apocalyptic skyline (reminiscent of the film Blade Runner) contrasts with the wind-blasted and foreboding nature visible in Bird Watching Hut. Other photographs in the series "explore the often subtle and quiet ambience of climate change." This searching is underscored in the video Rottnest which, with cinematic flair, follows the work of a team of scientists observing subtle and quiet changes within the landscape. https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/6e9a47ef-fa1a-45be-afb7-de08a8060d13/gardenship-journal-final-10202021-v2_Page_01.png Exhibitions Gardenship journal cover https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/c8a38360-20c1-4d8d-b88c-274298c4e6b9/IMG_3604.jpg Exhibitions the gardenship journal https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/f5fd0847-7c30-4022-a11a-6754f9b5cd70/GS+1.jpg Exhibitions GardenShip and State at Museum London https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/9d259743-23c1-4215-9c4a-6fa318d1d91d/1..jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/74f75aa0-c704-475e-ad3b-4f1f620d459f/gardenship-journal-final-10202021-v2_Page_02.png Exhibitions this journal belongs to https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/a0691370-068e-47ec-a4ca-cf71464c92f6/IMG_3610.jpg Exhibitions the gardenship journal https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/2dd4db2a-2b3e-40b8-8196-e8610c709edc/GS+2+Large.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/38986dc5-35af-44b8-90a8-532933d89c57/2..jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/64c64cb7-586c-4a3b-9e28-4399ca82276e/IMG_3611.jpg Exhibitions the gardenship journal seed packets https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/d2d16306-bba2-4822-9812-04bbb9152d05/GS+3.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/b43412bf-a18e-4b78-bd94-39edda7e716f/3.+Large.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/06c2a663-1e21-48f2-83cb-d5afe292a8ea/IMG_3598.jpg Exhibitions Mary Mattingly, Ecotopian Library, 2019 and ongoing https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/38966acf-207d-4250-91d9-b1728b0a5685/GS+4.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/6a5fc2c4-6309-4ad3-a8f6-901ed2d471cb/4.+Large.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/fa196031-8ba1-4035-a1cb-214688cde9e5/IMG_3600.jpg Exhibitions GardenShip installation at the London Public Library https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/164319f5-a63b-48ff-8f0f-42bb59543ef1/GS+5.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/bb25ddc7-8c04-4a1b-8cf6-78e88a657d2e/5..jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/e062aee5-765d-4fce-ad3b-d74a293f9063/IMG_3607.jpg Exhibitions GardenShip installation at the London Public Library 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https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/7c6983e9-7c29-4d5a-b9c6-42f05c116731/9..jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/ba773051-efe2-4060-ab98-77b321d671db/GS+10.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/3ce09fe7-1b9e-4ac8-aef0-ac0cb53cdb0f/10.+Large.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/f50703fa-bf9e-4dc9-8416-b32fc2b8eee5/11.+Large.jpeg Exhibitions GardenShip and State at Thames Art Gallery https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/494097ca-1cf4-4261-a8e7-c40025056c22/gardenship-journal-final-10202021-v2_Page_03.png Exhibitions co-curator welcoming statement https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/7b9ea0c7-2a22-447d-9158-c75cfca6eb0d/12..JPG Exhibitions 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https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/5d5f5172-4a7f-4d0c-b47e-d1ebe595f2e5/III.+Anindita+Chakraborty%2C+Contours%2C+%28two+of+twenty+three+pieces%29+2019-2022%2C+soft+pastel+on+rice+paper+pasted+on+canvas%2C+crochet+hook+embroidery%2C+8+x+6+inches.jpg Anindita Chakraborty Anindita Chakraborty, Contours, (two of twenty three pieces) 2019-2022, soft pastel on rice paper pasted on canvas, crochet hook embroidery, 8 x 6 inches https://images.squarespace-cdn.com/content/v1/5ecfbbd381e37715bf0d1e74/0bf958cd-090f-46bc-9167-e056dafdedad/IV.+Anindita+Chakraborty%2C+Don%27t+fly+too+close+to+the+sun%2C+organic+colour+on+paper%2C+21.5x30inch%2C+2020.jpg Anindita Chakraborty Anindita Chakraborty, Don't fly too close to the sun, organic colour on paper, 21.5x30inch, 2020 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